about

Helen Adkins is an independent art historian born 1960 in Watford (UK). She was raised in Paris, moved to Germany in 1977, and has been based in Berlin since 1986. She is mother of two sons (*2000 and 2002).

She received an MA in art history from the University of Freiburg (1984) and worked from 1986 to 1996 as a curator and head of project for blockbuster international exhibitions in Berlin (e.g. "Stationen der Moderne”, Berlinische Galerie 1988, for which she realized the reconstruction of the First International Dada Fair, Berlin 1920), Montreal („Les Années 20. L’Âge des Métropoles“, Musée des Beaux-Arts 1990), and Moscow (e.g. „Berlin – Moskau“, Puschkin Museum 1996). She also collaborated on the Sydney Biennial of 1990, curated by René Block.

1996-2002 she ran the museumsakademie, her own commercial gallery for emerging artists in Berlin Mitte (featuring Daniele Buetti (CH); Åsa Elzén (S); Miguel Rothschild (ARG); Barbara Trautmann (D), Hs Winkler (D) etc.) with a program of over 50 exhibitions in 6 years.

When the gallery building changed hands, she returned to curating, including the following projects: "legal/illegal. art beyond law" (in collaboration with Hs Winkler, featuring C. Burden, J. Kerbel, G. Maciunas, G. Motti, D. Oppenheim etc., NGBK Berlin 2004) "Künstler.Archiv / Artist.Archive" (featuring C. Boltanski, J. Gerz, I. & E. Kabakov, C. Kubisch, C. Nicolai, M. Rothschild, E.-M. Schön, Hs Winkler. Akademie der Künste, Berlin 2005).

2004-2007 she was responsible for the Berlin Residency Program of Arts Council Northeast. In 2008 she received her PhD from Braunschweig University of Art (HBK) for a monograph on the montages of Erwin Blumenfeld (1897-1969). 2008-2018 she was a lecturer at HBK. 2011-2019 she worked on the catalogue raisonné of Christian Schad’s (1894-1982) photograms. In recent years, her academic focus has been on the Avant-garde and its relationship to contemporary practice.

2022 she curated „Pflanzen und Blumen“ (featuring EC Davies, N. Giraud, T. Kahlen, R. Krehl, R. Le Prince, K. Linkersdorff, L. O'Byrne, N. Schmidt, E.-M. Schön, L. Simons, B. Trautmann. Kommunale Galerie Berlin). 2022-2023, she was hired by the Jewish Museum Berlin (JMB) in support of the Collection Management team for the exhibition “Paris Magnétique”. Starting 2013, she manages the estate of the Berlin based figurative sculptor NÄNZI (1962-2013). Based on her wide experience across aspects of both the commercial and the institutional artworld, she provides support to artists with a focus on professional communication tools: artist statement, project proposal, text, portfolio, selection of works for websites and exhibitions, public relations, advice for Instagram etc. She teaches at Bildungswerk bbk berlin (Professional Artist Association) and Art Up Now Berlin. Helen curates projects and publications from the initial concept through to the final realisation and fulfils commissions for writing, delivering public talks, and translating art texts. Her range of interest lies in all visual, philosophical, and musical media.

She has benefited from writing residencies at Casa Zia Lina, Elba, as a guest of the Dr. Robert and Lina Thyll-Dürr Foundation, Switzerland (2007/2009/2014), and at the Emily Harvey Foundation in Venice (2017 and 2019).

2017 she was voted a member of the International Artists Forum IKG.
2024 she became a member of fair share! Sichtbarkeit für Künstlerinnen, a Berlin initiative advocating for the visibility of women artists.

She publishes on the historical Avant-garde and on contemporary art. She is fluent in English, French, and German.

This website is designed by Cashen Adkins. home